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|標題:||進王褒而退馬融:兼釋「子淵〈洞簫〉窮變於聲貌」||作者:||卓國浚||關鍵字:||The Literary Mind and the Carving of Dragons;文心雕龍;Wang-Bao;Dong Xiao;Intertextuality;The change;Sheng mao;王褒;洞簫賦;互文性;窮變;聲貌||出版社:||臺中市：國立中興大學文學院||Project:||興大人文學報, Volume 38, Page(s) 99-119.||摘要:||
“QuanFu” in “The Literary Mind and the Carving of Dragons” says: The change of “language style's form” in Zi-Yuan's Dong Xiao. After comparing the theory between Huang Pu-Mi and Yan-He, Rao Zong-Yi discovers that Yan-He put Wang-Bao in an important position and expelled Ma-Rong. Now I try to interpret the reasons. Usually, the explanation of Sheng Mao puts more emphasis on the beauty of voice and image. I bring up a different definition about “The change of Sheng Mao” on the foundations of comparisons among contexts and the phrase “Sheng Mao” in The Literary Mind and the Carving of Dragons as well as the examination Wang-Bao's “Dong Xiao” on the base of the change of Fu style which passes through transforming duality thinking of The Literary Mind and the Carving of Dragons. In my opinion, “Change” is a new situation under the anxious influences of contexts and is also a new rhetoric strategy. “Sheng Mao” is the beauty of language's image and voice. “The Change of Sheng Mao" is a starter of new language style in the “Fu” style and the anxious influence of contexts.
|Appears in Collections:||第38期|
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