Please use this identifier to cite or link to this item: http://hdl.handle.net/11455/74823
標題: 《鐵旗陣》「把子記載」研究
作者: 廖藤葉
關鍵字: Array of Iron Flag;鐵旗陣;Warriors of the Yang Clan;Bazi;Walk-On;楊家將;把子;龍套
出版社: 臺中市:國立中興大學文學院
Project: 興大人文學報, Volume 43, Page(s) 143-170.
摘要: 
敷演楊家將戲曲頗多,研究者眾,但《鐵旗陣》是被忽略的一部楊家將故事,?清內廷的連台本戲。現今通行版本?周明泰幾禮居過錄的清內府抄本,抄本特別之處是附有「把子記載」。本文以「把子記載」?研究重點,先由把子演員與清昇平署職官太監年表相比對,得到把子記載純粹?道光二十三年的演出所做的舞臺調度提示,再分析年齡對把子演員的意義;二說明把子記載是?了演出順暢所做的砌末安排、對打時的分組與上場順序等提示;三詳細考究把子術語、行話,討論表演程式和所使用的情節氣氛與欲造成的作用;四?「把子記載」與現代戲曲舞臺調度比較。

Despite abundant dramas featuring Warriors of the Yang Clan and studies of the tale of the famous YANG General's family, the episode of "Array of Iron Flag" has long been overlooked in this drama due to the fact it was a serial drama played in the inner palace during the Qing Dynasty of China. The current version is a handwritten copy from the inner palace of the Qing Dynasty copied by Zhou Mingtai and Ji Liju and the handwritten copy is characterized with "Record of Bazi" (Record of Sword and Spear Play). Taking the "Record of Bazi" as the center of research, this essay first compares the almanac of bazi actors with eunuchs holding official posts under the Shengping Bureau in the Qing Dynasty. The obtained records bazi are stage arrangement cues for the rendition presented in the 23rd year under the reign of the Daoguang Emperor, prior to conducting an analysis of the meaning of age to bazi actors. The second part of this essay shows records of bazi to be served as cues for the arrangement of props prepared for a smooth performance and the group division when practiced by a fast-moving partner and the sequence it appears on the stage. The third part of this paper aims to closely exam the terminology and cant of bazi, discussies the performance, ambiance of plot, and effect of rendition; while the fourth part of this essay focuses on comparing modern xiqu (Chinese traditional opera) stage arrangement with "Record of Bazi".
URI: http://hdl.handle.net/11455/74823
Appears in Collections:第43期
文學院

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