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標題: 貂蟬故事的流衍與文化意涵
作者: 何慧俐
關鍵字: Diao-chan;貂蟬;Narrative;Patriarchy;Objectification;敘事;男權;物化
出版社: 臺中市:國立中興大學文學院
Project: 興大人文學報, Volume 44, Page(s) 39-66.
Opinions are widely divided whether Diao-chan, one of the four beautiful women in ancient China, was real or fictional. This article examines the culture meaning of Diao-chan according to historic records, dramas, novels, folktales etc. In the Romance of the Three Kingdoms there is a narrative of Diao-chan where we can discover the patriarchal view of the compiler. Diao-chan is only an objectified instrument. After her function of playing an insignificant role disappears, she is reduced to a subordinate status. She sacrifices for righteousness, without complaint or regret, which is a performance of patriarchal internalization.

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