Please use this identifier to cite or link to this item: http://hdl.handle.net/11455/86665
DC FieldValueLanguage
dc.contributor.authorHsin-Yun Ouen_US
dc.date2015zh_TW
dc.date.accessioned2015-09-21T08:59:32Z-
dc.date.available2015-09-21T08:59:32Z-
dc.identifier.urihttp://hdl.handle.net/11455/86665-
dc.description.abstractThis essay examines the critical receptions and stage adaptations of Shakespeare's plays from the perspective of genre, and investigates the hybridization of tragedy and comedy in relation to Neo-Classical and Deconstruction decrees. Shakespeare's mingling of genres satisfies the audience's need for variety and the integrated verisimilitude of human life and emotions. Yet, for Neo-Classicists, comedy and tragedy constituted a dichotomy of binary alternatives, denying any intermixture of the pathetic and the hilarious. Subverting this Neo-Classical dramatic convention, the hybridism of Shakespeare's generic experimentation, while facilitating Shakespeare to broaden his theatrical horizon, has caused critical debates throughout the centuries. Most significantly, Samuel Johnson's commentaries on Shakespeare's generic exploitation shared with modern theories concerning genres as dynamic, interactive, and historically defined. This reception study argues that factors shaping the debates include the multifarious interrelation of genres, which make it impossible to offer a binary distinction between the comic and the tragic.en_US
dc.language.isoen_USzh_TW
dc.relationIntergrams, Volume 15, Issue 2, Page(s) 29-51.zh_TW
dc.subjectShakespeareen_US
dc.subjectgenreen_US
dc.subjecthybridizationen_US
dc.subjectNeo-Classicismen_US
dc.subjectDeconstructionen_US
dc.titleA Trajectory of the Debates on Generic Hybridization in Shakespeare: From Neo-Classicism to Deconstructionen_US
dc.typeJournal Articlezh_TW
item.languageiso639-1en_US-
item.openairetypeJournal Article-
item.cerifentitytypePublications-
item.grantfulltextopen-
item.fulltextwith fulltext-
item.openairecristypehttp://purl.org/coar/resource_type/c_18cf-
Appears in Collections:第15卷 第02期
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