Please use this identifier to cite or link to this item: http://hdl.handle.net/11455/88900
標題: Discovering the Gothic Body in Huang Li-Chyun's The Room by the Sea
論黃麗群《海邊的房間》裡的歌德身體
作者: Chia-Huan Wu
吳佳桓
關鍵字: 歌德;恐怖;人性;黃麗群;the Gothic;Taiwanese literature;Huang Li-chyun;the theory of the body;psychoanalysis
引用: 參考書目 【專書著作】 小泉八雲。《怪談‧奇談》Kwaidan. 葉美惠譯。台中:晨星。2004年。 九把刀。《樓下的房客》。台北: 蓋亞文化, 2004。〈http://www.giddens.tw/blog/post/43120693〉Web. 3 Apr. 2014. 王家祥。《山與海》。台北: 玉山社,1996年。 ---。《小矮人之謎》。台北: 玉山社,1996年。 ---。《魔神仔》。台北:玉山社,2002。 李昂。《看得見的鬼》。 台北:聯合文學,2004。 ---。《殺夫 : 鹿城故事》。台北:聯合文學,1983。 黃麗群。〈海邊的房間〉。《海邊的房間》台北:聯合文學,2012。 蒲松齡。《 聊齋》。台北: 河洛,1980。 舞鶴 。《 餘生》。臺北: 城邦,2002。 ---。《拾骨》。臺北:春暉,1995。 【期刊、報紙、單篇論文】 王德威。〈女作家的現代鬼話,從張愛玲到蘇偉貞〉,《眾生喧嘩-三○與八○年代的中國小說》。台北:遠流,1988。頁 223-238。 ---。〈拾骨者舞鶴—舞鶴論〉,《跨世紀風華,當代小說20家》。臺北:麥田,2002。頁299-326。 范銘如。〈另眼相看—台灣當代小說的鬼/地方〉,《台灣文學研究學報》。台南:台灣文學館,2006。 張小虹。〈施叔青,不只是一段驅魔的奇幻旅程導讀:魔在心中坐〉,《聯合文學》第21卷9期(2005年7月),頁82-85。 張耀升。〈炎涼世態之外的坦蕩鬼道〉《聯合文學》244期,2005年2月,頁24-27。 黃麗群。〈柯裕棻、紀大偉、黃麗群談:我為何寫作,我為何不寫〉。中國時報2012作家撒野・文學迴鄉 1 (未出版)。南投,2012年7月8日。Web. 28 Dec. 2012. <http://blog.chinatimes.com/openbook/archive/2012/07/14/2238098.html>. …。〈作家日常.最重要的小事:黃麗群:剪指甲〉博客來OKAPI:特別企劃。2014年5月27日。Web. 5 Aug. 2014. <http://okapi.books.com.tw/index.php/p3/p3_detail/sn/2917>. 葉佳怡。〈【書與人】溫柔的薛西弗斯-黃麗群談新作《海邊的房間》〉。 〈http://www.libertytimes.com.tw/2012/new/apr/15/today-article2.ht〉Web.28 Dec. 2. 【學位論文】 陳惠珊。《施叔青鬼魅書寫研究》。國立東華大學中國語文學系,2008年。 Works Cited Boone, Joseph Allen. 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New York: Paulist, 2003. Print. King, Stephen. The Shining. Garden City, NY: Doubleday, 1977. Print. Kubrick, Stanley, dir. The Shining. Adapt. Stephen, King. Jack Nicholson. Warner Bros, 1980. Film. Kuriyama, Shigehisa. The Expressiveness of the Body and the Divergence of Greek and Chinese Medicine. New York: Zone, 1999. Print. Leder, Drew. The Absent Body. Chicago: Chicago UP, 1990. Print. Levin, Harry. The Power of Blackness: Hawthorne, Poe, Melville. New York: Knopf, 1958. Print. Lurie, Susan. 'The construction of the 'castrated woman' in psychoanalysis and cinema.' Discourse 4 (1981-2): 52-74. Print. McCarthy, Cormac. The Road. New York: Alfred A. Knopf, 2006. Print. Miles, Margaret R. Carnal Knowing: Female Nakedness and Religious Meaning in the Christian West. Boston, MA: Beacon, 1989. Print. McNally, Raymond T. Dracula Was a Woman: In Search of the Blood Countess of Transylvania. New York: McGraw-Hill, 1983. Print. Mishra, Vijay. The Gothic Sublime. 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摘要: 
Abstract: Neo-Gothic in Taiwan: Huang Li-Chyun's The Room by the Sea
and the Gothic Body

The Gothic is a genre of fiction that consistently reappears in each generation of Western fiction. It emphasizes ruins, the monstrous, and transmutation within culture, yet it also points to the elusive nature of desire in society. The diverse forms the Gothic takes on has allowed its creators to explore the dark side of human nature while, at the same time, offering Romanticism a space of existence in contemporary literature.
In this thesis, I analyze the Gothic aspects of the Taiwanese writer, Huang Li-Chyun's short stories in The Room by the Sea. The thesis is comprised of three main parts: the first part with an introduction to the Gothic in European and American contexts and then looks at the development of Taiwanese Gothic fiction. The second part focuses on the analysis of Huang's works and mainly deals with the problem of the Gothic body and its relation to a 'horror' derived from repression. Our bodies turn to sites of suffering when our consciousness is twisted, however, in order to escape from the wounded corporeality, our minds must first be the focus.
Through portrait of conflicts in endured morality, novelists provide us the most comfort in our tolerable life. In sum, by reading Huang's works in light of the Western theory of Gothic, it is hoped that basis for further research into the Taiwanese neo-Gothic can be established.

摘要

歌德式的恐怖議題,長期是中西方在小說創作上被關注及熱愛的形式。歌德小說中的恐怖不只凸顯當時文化結構上的嬗變、消失或缺陷;更直指人性裡,幽微難測的深沉慾望。其中變化多端的敘述形式,允許作者溢出理性邏輯的創作美學,皆賦予此文類從浪漫時期至現代文學一再新生的可能性。
鬼魂、恐怖及迷信在邁入21世紀的後現代社會後,依舊是作家熱愛的主題,而在當代台灣文學中,也一直不乏鬼故事及驚悚小說。恐怖,穿越了時間及其空間性,更直接地牽繫在人的關係當中。「人」成為真正恐怖的化身。本文透過分析台灣當代小說家黃麗群的三篇短篇小說,其特質與西方歌德小說的同異之處,進而定義為台灣新歌德小說。我試著指出,「恐怖」是人性慾望無法被滿足的衍生,當心智受到了壓抑扭曲,身體成為其試煉的場域;但人們為了逃脫受苦 的肉體,而須開放自我的心靈。透過黃麗群的作品,我們看到人與其周遭關係的角力;最恐怖的是人,最光輝的也是人。「人性」經由作家創作形式的呈現,給予其肉身在痛苦掙扎,心智在承受忍耐之中,橫跨時空最永恆的安慰。
URI: http://hdl.handle.net/11455/88900
其他識別: U0005-1111201412483300
Rights: 同意授權瀏覽/列印電子全文服務,2015-11-24起公開。
Appears in Collections:外國語文學系所

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